Kill the Thrill

New Wave & Post-Industrial Metal - France

Kill the Thrill Band

KILL THE THRILL was formed in 1989 and is composed of Nicolas Dick on vocals, guitar and lap-steel, Marylin Tognolli on bass for its founding members. Stemming from the French noisy wave of the early 90’s, their music is often described as dark, abrasive and hypnotic, full of epic moments, with a dense and rich sound mixing elements of industrial rock, post-punk, dark new wave and experimental metal.

Forging an atmosphere as dreamy as chaotic, with multiple layers and atmospheres, sometimes ambient, sometimes more hostile. KILL THE THRILL interlaces orchestrated soundscapes, enriched with innumerable layers and arrangements, playing amongst the rifts to create a unique and personal work, so far from everything and so close to everyone.
The group released its first album in 1993 entitled DIG, followed by an EP: PIT (on the labels Noise Product CH and Semetary), and at that time had three musicians, already working with samples and playing with blocks of sound.

In 1996, the trio became a duo with a second album entitled LOW (Noise Product CH), recorded, mixed and produced by Nicolas Dick. The artist ErikM intervened on the interludes with sound tracks which frame each title of the group. The album is hailed by the press as a perfect balance between melody and distortion.

Over the years, tracks have appeared on a large number of compilations: La Famille (Noise Product Belgium), Serial Killer Vol 1 (Roadrunner), Brutale Generation (Semetary / WMD), Ah Quelle Belle journée (Amanita records), A Wild State Of Noise And Disorder (Pandemonium), 5 Years Of Fury (Noise Product CH), Tribute To Godflesh (Nihilistic H. Rec.), Fear Drop 14 : “Coal Fire” The Cure masterpiece Pornography, Dark 80’s (Atropine Records) etc.

Frederic De Benedetti joined the band on guitar and it’s again as a trio that the album 203 BARRIERS was released by Season Of Mist in 2001, the album again entirely recorded and produced by Nicolas Dick. With this new opus KILL THE THRILL’s music has evolved towards a daring, disturbing and more extreme sound. With international promotion and distribution, signing with the label Season Of Mist allowed an opportunity of further development for the band.

KILL THE THRILL has shared stages all over Europe with other artists such as Godflesh, Killing Joke, Zeni Geva, Isis, Young Gods, Treponem Pal, Einstürzende Neubauten, La Muerte, Neurosis, Jesu, Jim Rose Circus, Grötus, Dillinger, Escape Plan, Dälek, etc.

The album TELLURIQUE released in 2005 (Season Of Mist, recorded and produced by Nicolas) combines a cold and clinical industrial/metal sound with a new wave sensibility, bathed in a heavily melancholic atmosphere, but leaning more in the direction of noisy, distorted shoegazing mists than the fires of metal. The album is described by the press as an organic journey in which you must immerse yourself to feel its harshness and beauty.

This exacerbated trio asserts itself as a true entity in symbiosis, with an unfiltered and no holds barred take on music and sound.
Anger has no origin, and when the events from which it arises, physical bodies and soundwaves, can no longer contain patience and intelligibility, the sounds become the violence.

But with KILL THE THRILL, violence is always suggested more than frontally expressed, it remains hemmed in and contained.

In 2015 the band reissued its first under the title 1989 (Atypeek Records), a digital-only album intended as a nod to KILL THE THRILL’s origins.
During a few years of silence put to good use on the personal and musical projects of the members of the group, KILL THE THRILL took the time to polish a new version which should be released at the beginning of 2024.

The band has released a limited number of albums in its career so far, but is resistant to all erosion, the secret of its longevity residing in the timelessness of the music.

An atypical band whose music is enough to itself ; a discrete band for imposing music ; a group which reveals next to nothing but pursues its sonic quest, outside of common standards. A living ambiguity: cold and hot, the calm and the storm.

“A long flow of orgasmic lava, a wave of shimmering noises that carries away everything in its path. One immerses oneself entirely in its bewitching atmospheres. We leave for a long descent on a carpet of guitars, their richness is inside, under this heap of notes and noises, under this black and disturbing mass. It’s up to you to understand what you can during a journey that is sublime”.

To Kill the Shiver reaches for the ineffable.


  • Nicolas Dick : Lead Guitar, Vocals, Lap Steel, Samples
  • Marylin Tognolli : Bass
  • François Rossi : Drums
Posted on January 23, 2024

KILL THE THRILL are blessed with an elusive vision. Over the past 30 years, the French duo have been dreaming up an abrasive-but-hypnotic blend of industrial rock, post-punk and dark wave.

Posted on January 4, 2024

KILL THE THRILL are blessed with an elusive vision. Over the past 30 years, the French duo have been dreaming up an abrasive-but-hypnotic blend of industrial rock, post-punk and dark wave. The videos for the first two singles off their upcoming fifth album, Autophagie, dropped immersed audiences in a cinematic fever dream that would give David Lynch nightmares. Today, KILL THE THRILL are releasing another hypnotic video for their roaring, electro-charged new single.Watch the video for “A la dérive” :

Posted on December 12, 2023

KILL THE THRILL are blessed with a uniquely elusive vision. The French duo have been dreaming up an abrasive-but-hypnotic blend of industrial rock, post-punk and dark wave. Heck, the title track off their upcoming fifth album, Autophagie, arrived with a surreal fever dream of a video that could give David Lynch nightmares.

Posted on November 21, 2023

KILL THE THRILL are France’s most enigmatic post-punk & industrial band, creating music as far back as 1989. They’ve had a few lineup changes over the years – but long-standing members Marylin Tognolli & Nicolas Dick have been creating atmospheric & bleak sonic landscaped with poignant lyricism ever since the band’s genesis.

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